New Portraits

I have been itching to get on with starting some new portraits but time and other work commitments have been getting in the way. But over Easter, I have managed to start two. I thought, due to the way I work on them, it would be much easier to have two pictures running along each other, so whilst one is drying or I’m planning the next section I can get on with the other one.

Intensive preparation for my portrait of Isaac Rosenberg.

Intensive preparation for my portrait of Isaac Rosenberg.

The first one, I have been planning since completing my portrait of Wilfred Owen in November. It is a portrait of Isaac Rosenberg , a First World War poet and painter who died on the 1st April, 1918. He is to form part of the series of portraits of War Poets, I am making. He is a fascinating character but at the time I didn’t know much about him, so I spent most of January reading the very in depth and interesting biography of him by Jean Moorcroft Wilson.

Isaac Rosenberg, machine line drawing.

Isaac Rosenberg, machine line drawing.

Within Rosenberg’s portrait, I intend to capture images of the Whitechapel Library, images of dancing women to evoke his poem ‘Daughter’s of War’ and other elements I have to finalise. As with the portraits of Rupert Brooke and Wilfred Owen, which I have completed and are now hanging at the Biscuit Factory in Newcastle, I intend to sew parts of his poetry into his clothing adding texture and visual metaphors.

My second portrait I have started working on is of William Morris. Morris has always inspired my work and way of thinking. The Arts and Crafts movement during the Victorian  period placed great importance on quality of fabrics, beauty in design and the quality of craftsmanship.

William Morris, the beginning.

William Morris, the beginning.

I work, initially creating the portrait using a sewing machine to ‘draw’ the lines and then I continue the portrait using hand sewn stitches which are slow and laborious but also very meditative. The portrait of Morris, will also be painted in acrylic then over stitched, using similar techniques to my recent picture ‘Portrait of a Green Man’.

Sewn line drawing complete.

Sewn line drawing complete.

Over the next month or so, whilst working on commissions for the Hancock Museum and printing some more lino prints, I shall also be working on my portraits, which bring me great enjoyment.


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