Northumberlandia, landscape, Northumberland,

New Artist Residency at Northumberlandia

I am delighted to have been asked to be Artist in Residence at Northumberlandia.

Northumberlandia

Northumberlandia: ‘The Lady of the North’, landscape sculpture.

Northumberlandia is a landscaped sculpture of a reclining lady, designed by artist Charles Jencks. She is 100 feet high and a quarter of a mile long. You can take walk around the paths that curve around her body up to her hips, breasts and face.

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A view from Northumberlandia’s ‘forehead’ looking down to her nose, breasts, hip and further into Northumberland.

This is a beautiful site to visit and take a gentle walk (though recently I visited during Storm Hector and it was a but tricky to walk up to the top!) Families, community groups, dog walkers and people looking for a soul rejuvenating spot to visit, visit daily.

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Spring flowers at Northumberlandia.

The residency is in conjunction with Northumberland Wildlife Trust who help manage the site. My proposal responds to the importance of sites such as this where people are using our local natural environment, for walks and a quiet spot to be just outside a busy city, encouraging them to reflect upon how this urban/rural, relaxing place to walk is helping us and how we can help it.

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Northumberlandia festival day.

A couple of weeks ago, during a Northumberlandia festival day, I set up ‘shop’ to be able to meet and greet visitors to the site and talk to them about my residency. I am asking people to make a ‘Green Pledge’. This is something individuals, groups and families can pledge to do to help their local habitats, places they visit, the environment on a local and national scale.

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A ‘Green Pledge’ made by one of the young visitors to Northumberlandia.

During the festival weekend, visitors were making a decorating their own ‘Green Pledge’. These were made using recycled textiles, permanent pens and stitching on ribbons etc. These ‘Green Pledges’ will be hung together throughout the trees in Northumberlandia in September, for visitors to come back and see.

Caretakers Green Pledge today

Caretaker’s of the World. UNITE!

Beside creating their own ‘Green Pledge’ on the day, I am also collecting pledges made by visitors to make into larger, more worked pieces which will hang individually amongst the trees. These pieces will be made using recycled textiles, hand and machine stitched, painting, printed, with found natural and manmade items on them to ‘illustrate’ the pledge.

Though, besides making two dimensional pieces, I have also decided that some pledges will require a more three dimensional, radical approach. An example of this includes the pledge to make ‘Eco Bricks’.

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Entrance woodland at Northumberlandia.

Last week I visited Beaconhill Primary School, which is the school nearest to Northumberlandia as the crow flies. I spent the day with Year 4 and 5, talking to them about the Northumberlandia site (which the majority had all visited) and my residency. I had asked to school to be involved, as they school prides itself on having a very environmental ethos and is very proactive locally. I talked with the children about what they are already doing at home to help the environment, what small changed they could make to help further and if they had ideas or great inventive ideas about what we could do in the future.

The children were all very concerned about how much people are happy to drop and leave rubbish when visiting the countryside, our local beaches and just generally where they live.

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Pupil making a ‘Green Pledge’.

It is heartening to hear how passionate young people are about doing things to help their local environment and things that will help the global climate issues. Over the weekend at Northumberlandia and my visit to the school, more that 120 ‘Green Pledge’ fabric panels have been made to be hung together amongst the trees.

Less plastic green pledge

‘I will use less plastic’ Green Pledge.

During the next couple of months, I will be making larger ‘Green Pledge’ panels, inspired by the visitors to Northumberlandia and in September everyone involved will be invited back to walk amongst the ‘Green Pledges’ hanging amongst the trees and try and track theirs down.

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Families making their ‘Green Pledges’ to hang amongst the trees in Northumberlandia.

Please feel free to get in touch if you would wish to be part of this project by suggesting a ‘Green Pledge’ you would like to make in writing, or a physical piece that could be hung with the others amongst the tress.

 

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New interactive pieces for The Sill, Northumberland.

The Sill, is a new landscape discovery centre in beautiful Northumberland, very close to many of the famous Roman sites along Hadrian’s Wall. The Sill helps visitors to look deeper into the landscape, culture, history and heritage of Northumberland.

View from The Sill roof

View from The Sill roof

Last year, whilst The Sill was still being built, I was asked by the Education Team to work with them on creating some interactive bags for schools and community groups to use whilst visiting their building and galleries.

Inside The Sill

Inside The Sill’s gallery, which explains many of the uses of the landscape, materials and habitats found in the area.

A large part of last year I spent working on the Shipley Art Galleries Centenary Quilt but as soon as that was finished, we started planning in more detail what interactive materials The Sill would benefit from first and how they would like them to look. So the first two interactive bags I worked on was the Moorland Curlew Bag and the Geology bag.

Curlew 1

Curlew Children’s mask

The Moorland Curlew bag was great fun to make. The bag itself is large enough to carry all the interactive pieces in plus room for teachers notes. I always find children love as much opportunity to dress up – so any chance to make wings and masks is great!

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Curlew wings, child size.

The Curlew bag also had a crochet nest, with eggs plus worms for the Curlew to eat!

Curlew eggs

Curlew nest and eggs.

Habitat bags always need a predator and what better than a fox – great fun for interactive role play!

Fox mask

Fox mask.

The Moorland Curlew bag itself had two sides, as the curlews nest in the moorland building their nests on the floor and they also spend their time at the seaside amongst the mudflats – which you may have seen, with their long, curled, distinctive beaks.

Using bags in the Sill

Moorland Curlew (mudflat side) and Geology bag being used at The Sill.

The geology bag looked at how the stone and the Whin Sill had been created over thousands of years. The bag itself illustrates very simply how the stratigraphic layers in the area have built up to create the landscape and stone in the area.

Geology bag strat layers

Geology bag cover, textile illustration of the stratigraphic layers in Northumberland.

To help illustrate to children visiting with schools and community groups, small textile panels were made to show how the local stone is used in Hadrian’s Wall, making roads, sandstone walls and limestone kilns.

This bag was also quilted so that rocks and stones, plus other materials could safely be placed inside.

Interactive 'stone' pieces

Four textile panels illustrating the use of stone in the area: top left – road building, top right – sandstone walls, bottom left – limestone kilns and how limestone enriches the ground and bottom right – Hadrian’s Wall.

These bags have now been delivered and I am now working on a ‘Dark Skies and Mythology’ bag plus a large, layered map which will be used up on the grassed roof, to assist discussions about how the landscape has changed over the last two thousand years.

Final Day of Artist Residency at Bergby Konstcenter

The past two weeks, working as Artist in Residence at Bergby Konstcenter, has been very inspiring, productive, thought provoking and down right good fun! As you will have seen through the last 13 posts, the arts centre itself is a beautiful and inspirational place, based in an idyllic part of rural Sweden but also in easy access of Stockholm, Uppsala and other fantastic places to visit.

Visitors to the exhibition were welcomed with cake!

Visitors to the exhibition were welcomed with cake, as part of an afternoon tea party!

The last day of the exhibition was busy with visitors, many taking part and making ‘Green Pledges’ for me to sew into mini pennants when I return to England – written in Swedish and English.

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Afternoon tea party to celebrate the final day of the residency, organised by Helen and John.

As part of the residency, it had always been planned to parade the larger pennants up into the Bergby woods and hang them with the ‘Green Pennants’ as the closing part of the exhibition. This seemed only fitting, as it is an environmentally charged work about the planet and our job as ‘caretaker’s’ of it.

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Getting ready to parade the pennants to the woods…

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On parade.

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Deeper into the woods…

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‘Sea Juggernaut’ pennant.

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Hanging up the ‘Life giving bee’ pennant in the trees.

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‘Life giving bee’, ‘Haxors Trosor’ and ‘Sea Juggernaut’ pennant hanging in the trees at Bergby woods.

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Me, about to start hanging up the ‘Green Pledges’.

Once the larger pennants had been hung, we then hung the ‘Green Pledges’ which had been made so far as part of this environmental art project. Most of these pieces had been pledges by people from Newcastle, but there were also a few new ones from Sweden.

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‘Green Pledges’ hanging in the Bergby woods.

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More detailed view of some of the ‘Green Pledges’.

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‘Green Pledges’ blowing in the wind.

Besides fueling and developing new ideas, working as Artist in Residence at Bergby Konstcenter, talking to Helen and John,  and to the visitors to the exhibition, it has made me realise that I don’t want to finish this project but to continue with the ideas and ethos which has evolved from my time in Sweden. I have always fully intended to finish the now 50 plus ‘Green Pledges’ and to exhibit them in other places but I also wish to encourage more people to be part of this project and to either in writing make a pledge and/or make it into a textile piece which can be hung side by side with the others. Within each of these pledges, people – young and old – have raised important environmental issues and thought about how they can help address them in a small way.

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‘Green Pledges’ flying from a Suffolk bridge following my return to England.

I would like to thank Helen, John and their lovely family, who made us all for so welcome and comfortable in their arts centre and home, and for giving me this fantastic opportunity to be part of their work.

Artist Residency Day 13 at Bergby Konstcenter, Sweden.

In the last few days whilst my ‘Häxors Trosor’ exhibition has been open, many of my Swedish visitors have also been keen to make their ‘Green Pledge’. During this time I have also been busy making more from the list of pledges I brought from Newcastle.

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Visitors to Bergby Konstcenter making green pledges.

I have been using local resources to make some of the pledges, including milk cartons, plastic bread and chocolate wrappers. Helen and John the artists who run Bergby Konstercenter have also made a pledge to be hung with the others.

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‘I am making a compost in my garden’.

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‘Here I write my solemn pledge to grow and eat organic veg.’

Visitors to the exhibition seemed to really enjoy looking at the craftsmanship in the environmental textile pennants, from the heavy embroidery to intensively worked beading and the sentiment in the poetry. It was extremely heartening to hear the very sincere feedback.

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A local bee keeper and her daughter looking at the ‘ Life giving bee’ embroidery.

Talking to the visitors, asking them to also make a ‘green pledge’ has made me really think about taking this project so much further. The exhibition of the work produced during the residency is going to Gateshead Old Town Hall in September and October but I feel I would like to continue encouraging people to make pledges, so that the number of pledges made grows past the 50 we have so far.

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‘I will eat less dairy and milk.’

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‘I will recycle more’.

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‘I will try to raise awareness with my friends about the issues of sea creatures’, by Rosie age 13.

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Visitors to the exhibition.

If you would like to be a part of this project, please get in touch. You can just write a green pledge which I will make for you or you can make your own to form part of the growing numbers of green pledges made so far.

Residency Day 12 – Digital Detox

Coming out to Bergby Konstcenter in Sweden for a two week artist residency, has been an amazing experience and opportunity for me. I have absolutely loved the arts centre, the enthusiasm of Helen and John who run it and it’s beautiful locality.

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Painting together.

But, it has also provided a creative and interesting experience for my three daughters, aged 13, 11 and 8 – through a ‘digital detox’. This has encouraged intensive bursts of drawing, painting, sewing, reading and 3D art using the natural environment.

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Tablet free zone !

The girls embraced the idea of a Digital Detox, occasionally there was a bit of a wobble,  but overall they enjoyed it. My middle daughter has also read six books in the two weeks – reading some twice!

The girls have been taking their sketchbooks with them on their days out, too.

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My youngest daughter sketching with her Dad.

The ‘Young Artist’s’ exhibition wall includes the work by the young children who live here, who also really enjoyed drawing and painting.

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Young artist’s exhibition.

Sharing, learning new artistic skills and learning new words in English and Swedish has been a great bonus – especially when learnt with friends!

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I can’t say that when my girls are back in the UK they won’t be straight onto their electronic devices, but the two weeks without them has taught the girls that they can not only enjoy themselves without these devices, but  they  have learnt again to entertain themselves, regained their love of reading, and that boredom is a great way to ignite a creative imagination. They have also all said how lovely it is to play freely outside, to be able to run around with no socks on, feel grass rather than concrete and just play.

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Residency Day 9 -new ‘Green Pledges’.

Before I came out to Bergby Konstcenter in Sweden, I had asked people who had visited my studio in Newcastle if they would like to make a ‘Green Pledge’ and I would make them to hang with the others in the exhibition in Sweden.

Here are some new pledges which have been made:

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‘I will encourage bees into my backyard’.

These new pledges have been made using resources I had at hand in Sweden including plastic bread bags (the tassels above) to milk cartons ( the patchwork below).

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I will stop eating beef.

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I will grow my own fruit and vegetables.

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I will turn off the lights.

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This one contains a quote from Mahatma Gandhi: ‘Earth provides enough to satisfy every man’s need, but not every man’s greed.’

All of the ‘ Green Pledges’ are now up in the exhibition, already more new pledges are being made. I hope to go and hang them all up in the woods this weekend! Then I shall send photos to all the people who have been involved in the project so far…

Residency Day 6 – visit to Uppsala.

As part of my residency, I was keen to visit Uppsala where Carl Linnaeus (1707-1778) lived, studied and worked. Linnaeus is famous throughout the world as the person who started using the classifying system in Latin for plants and later animals. Within my work for my residency at Bergby Konstcenter, I have incorporated the Latin names into my textiles, linking it to this part of Sweden.

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Beautiful flowers found in Linnaeus’s garden.

The flower seen above, I have used since as part of my inspiration for the last sea creature I was to sew on my ‘Sea Juggernaut’ textile – which I shall blog about over the next day or so.

Uppsala is a very beautiful city, with a large cathedral and famous university. Like Stockholm and Norrtalje, we found it was also a city full of art, from public outdoor work to great galleries. In the Domkyrkan, Scandinavia’s largest cathedral, besides being the most beautiful stained glass windows, frescos and tapestries, there is also some beautifully simple pieces of modern art.

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From the cathedral, we walked on (lots of walking today) to the fantastic Museum of Evolution, which is within the university area. It is very much a traditional museum, which holds a wonderful collection of dinosaur and early human fossils.

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Bror Hjorths studio.

Our last visit was to Bror Hjorth’s house and studio. Bror Hjorth (1894-1968) was a mondernist painter and sculptor. He is considered to be one of Sweden’s greatest artists.  The museum we all found very exciting and inspiring.

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Bror Hjorth’s studio.

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Sculpture by Bror Hjorth in his garden.

Residency Day 5 – The Loppis

I’ve already mentioned how great the Swedish ‘ Loppis’ is – a second hand shop which you find on the side of the road. But Helen and John had told me about a really big one which is about 10 minutes away from Bergby Konstcenter. As I am now at the point of thinking about how to ‘ back’ my sea juggernaut picture – and there was only so much fabric I could bring – a place where I could pick up recycled fabric would be great!

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A homage to the Loppis.

The Loppis we visited was inside a large barn – wish I had taken more photos – and an absolute treasure trove. For me, I got excited by the colourful fabrics, handmade lace, embroidered and crochet work. But if you needed any kind of household equipment, toys, clothes, furniture, books, etc, you were sorted and they were all good quality.

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Today’s purchases from the Loppis.

Some of my finds are beginning to make their way into my work.

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Tiny ship’s wheel that I found on the floor outside the Loppis in Bergby.

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Anchor button bought as part of a collection of blue buttons. The anchor is the symbol of this area.

This idea of sensible thrift really works with the whole feel of my ‘Häxors Trosor’ project. Humanity generates so much waste. I found an interesting quote a couple of days ago when making a new ‘ Green Pledge’:

“Earth provides enough to satisfy everyman’s need, but not every man’s greed.”

Mahatma Gandhi.

Residency Day 4 at Bergby Konstcenter

Today I decided to visit Stockholm for the day, I had heard about a number of different places which would be really inspiring to visit. It is very straight forward to get to Stockholm from Bergby, the public transport in Sweden is very efficient (buses to Stockholm from Norrtälje every 10 minutes), clean and the roads are quick and quiet.

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Public art on the underground platforms.

I had been told about the public art on some of the underground train lines, which we were keen to check out. From beautiful, tasteful tiles to war like caverns painted into the ‘stone’.

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Snippets from Moderna Museet .

The main place I wanted to visit was the Moderna Museet, a gallery of 20th century art by some of the most prominent artists of that time, including a good collection of Picasso’s, work by Duchamp, Dali, Warhol, Bridget Riley, Man Ray etc. I was also delighted to see work by Judy Chicago and loved the work by Moki Cherry.

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Rosie looking at the Moki Cherry collection.

Moki Cherry (1943-2009) is an artist who uses story telling in her work, which is often textile. She studied in Stockholm and became notorious in the 1970s art scene, with her husband Don who was a jazz musician. Her work has clear political overtones and she lived with a distinct blur between her life and art.

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Crane decorated as a giraffe!

As I spend more time is this part of Sweden, I find that ‘art’can be found in so many places. Stockholm is a very beautiful city and to enjoy it’s architecture more, we took a river ferry. It was an absolute delight to see this large metal crane decorated to look like a giraffe! Maybe not an official piece of public art, but art all the same.

Residency Day 3 at Bergby Konstcenter

An early start down the studio this morning – in by 8 am. The ‘Sea Juggernaut’ piece I am working on is very labour intensive, very much  ‘slow art’. But I do enjoy spending hours beading and embroidering.

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Beaded sea creature.

Later in the morning we went visiting some of the local coastline, islands and artists.

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Albert Engström’s Art Studio

Possibly my favourite place so far is Albert Engström’s artists studio on the edge of the sea at Grisslehamn, which is only about a 5 minute drive from Bergby Konstcenter. It is now  a museum but you can see how the artist  (who I believe died in 1940) felt so inspired to work there. With a beautiful forest walk with glimpses of the sea through the trees, past the unusual optical telegraph communication hub – used in Sweden in the 18th and 19th centuries – then onto the sea. There is a beautiful little cove, with islands, sand and rocks to perch on.

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Geoff and Violet sketching by the sea.

We moved on and drove around the islands up to Singö, travelling over pretty bridges, stopping at Singö church.

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Singö church.

On our return to Bergby, we popped in to see a local artist whose gallery was open this week. Her gallery is called ‘Fru Strids’ ( I need to check the translation!) and her name is Kicki Jonsson. There was work by a sculptor called Annika Alm in bronze and carved stone. Violet was very taken with her work. Hopefully, Kicki is going to pop by when my exhibition will be on next week at Bergby, as she is a fellow textile artist working on intricate embroidery.

 

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Entrance to Fru Struts gallery.