The Shipley Art Gallery Centenary Quilt, finished.

In 2016, I was asked to work on a lovely, large community project to help the Shipley Art Gallery celebrate their 100th Anniversary in 2017. The Shipley Art Gallery has a fabulous collection of the decorative arts and a very long, established link with the traditional technique of patchwork and quilting. Within their collection they have hundreds of hand quilted pieces, which have either been wholecloth designs or made using English Paper Piecing.

The project took over 9 months and was ready for the anniversary celebrations in November, 2017. We had over 100 patchworked squares made by members of the community, some local and few were posted from different part of the UK. The pieces which didn’t form part of the finished quilt (not because of quality as the standard of the finished, hand paper pieced squares was fantastic), have been made into pieces which can be used with schools, community groups and general visitors to help explain the process of hand paper piecing.

Quilt 5

Planning the final position of the patchwork squares for the centenary quilt.

Once all the squares were collected in and registered. A small group of people who had worked closely with the quilt over the last nine months, came together to help with the very tricky job of deciding where to place all the finished pieces. At this point, the paper templates were still in the back of the squares. Members of the group took a couple of rows away to join the individual squares together, then two rows together.

Quilt 6

Reverse of the centre panel for embroidering, with it’s paper templates still intact.

During this time, I worked on the centre panel, which was made up of cream and white self patterned ‘Grandmother’s garden’ hexagons, which would become the area to embroider the text upon. This section was then sewn into the middle of three rows of squares.

Quilt 3

Detail of the embroidery onto the central panel. The silk was hand dyed and hand spin by one of the members of the group.

Once all the rows and the central panel of the patchwork were sewn together, it was then placed, pinned and quilted to an organic cotton wadding centre and cotton backing. It took a long time to just pin the three layers together, accurately, as the quilt by this point was 200 cm by 220 cm.

Quilt 2

The finished patchwork ‘top’ being pinned to the organic cotton wadding and cotton backing, in preparation for hand quilting.

I decided to use a new tool, called a basting gun, which I bought from Cottonpatch to ‘pin/tack’ the three layers of the quilt together. A bit like the tools used in clothes shops to attach price labels to clothes, which can delicately keep the layers together but also quick and easy to remove. It made things much quicker and cut out the damage pins could do. It also allowed me to use a large hoop to quilt with, as it was too large for my frames.

Quilt 4

Binding the edge of the quilt.

The quilt needed to be finished a couple of weeks before the centenary celebrations, as it had to go in the large freezer at the Discovery Museum in Newcastle. This is something which the museum and gallery service will regularly do with new items to their collection to ensure that no new contaminates are brought into their collection.

Throughout November 2017, there were lots of different events at the Shipley Art Gallery to celebrate it’s centenary and the quilt was at the centre of this. People from the local community including the women of the Jewish community, women from the local Syrian community, plus local craft groups, the Shipley Quilters and all those who had individually made a square, were invited to a lovely afternoon of celebrations at the Shipley.

Local Syrian ladies community group

Some of the women from the local Syrian community who worked on the quilt.

Quilt in situ 22.11.17

Finished Shipley Art Gallery Centenary Quilt on display.

The Shipley Art Gallery Centenary Quilt, 2017.

The Shipley Art Gallery Centenary Quilt, 2017.

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Get involved! The Shipley Centenary Quilt Project

The Shipley Art Gallery in Gateshead, Tyne and Wear will this year be celebrating its 100th Anniversary, after being founded following a bequest by local solicitor Joseph Shipley (1822-1909). The gallery holds a beautiful collection of European Old Masters, to Victorian and more modern paintings. It now is also extremely well know and highly considered for its collection of decorative art including ceramics, textiles, wood, metal and glass by local and national makers. The Shipley Art Gallery has an amazing collection of whole cloth and patchwork quilts, which the North East has a long and strong tradition in making, either for private use or as a way of making money.

As part of the celebrations, I have been asked to work with and encourage creative people to work together to make a new patchwork quilt. As traditionally, patchwork would have been made using English Paper Piecing, this quilt will also follow in the tradition. To make this quilt, we need 100, 20 cm square (plus seam allowance) hand pieced panels.

 

Patchwork 7

One finished 20 cm square patchwork panel for the Shipley Centenary Quilt.

 

If you would like to get involved, the individual patchwork panels need to be returned by the end of August, either to myself or the Shipley Art Gallery. The finished patchwork quilt will be on display for the centenary celebrations towards the end of November. So, this allows a couple of months to piece all of the panels together and to quilt it.

Centenary of the death of Rupert Brooke

If I should die, think only this of me:

That there’s some corner of a foreign field

That is for ever England.

Extract from The Soldier, 1914.

Today, at 4.46 pm, 100 years ago, the poet Rupert Brooke died of septicaemia on a French hospital ship, moored off the island of Skyros, where he is buried. He was on his way to  Gallipoli to fight in that historic First World War battle.

Embroidered portrait of Rupert Brooke.

Embroidered portrait of Rupert Brooke.

I decided to start of my series of portrait of First World War poets who died during the war, last year. I was actually trying to find the right inspiration for another project and I could never get the right idea. The ideas and imagery for the portraits came to me whilst on a long car drive. Since I was a teenager, I had loved reading the poetry of Rupert Brooke, my favourite poem being ‘The Beginning’. As a teenager, the fact that Brooke was a beautiful man, dying in tragic circumstances, also aided my admiration for him. By it’s an admiration for his work, that has never waned.

Hand stitched, the poem 'The Beginning'.

Hand stitched, the poem ‘The Beginning’.

The portrait of Brooke, was the first I completed. I have decided to keep the portrait quite ethereal, through the simple line drawing of the sewing machine to the delicate hand stitched details of his life. Upon his tie, I hand stitched the words of the poem ‘The Beginning’. Behind Brooke, as though a school map on the wall, is stitched a map of the World, with the words of ‘The Soldier’ stitched around it.

The poem 'The Soldier' hand stitched around the map of the World.

The poem ‘The Soldier’ hand stitched around the map of the World.

Throughout the portrait, I have stitched metaphors of Brooke’s life. Framing the picture is the olive leaves which are found in the olive grove where Brooke is buried. Hibiscus flowers and hollyhocks, symbolise his lost loves in England and Tahiti and the lilac flowers represent his famous poem ‘The Old Vicarage, Grantchester.’

Hollyhocks and hibiscus flowers.

Hollyhocks and hibiscus flowers.

This weekend, there will be many events to commemorate Brooke’s life in Grantchester and Cambridge andThe Second I Saw You: The True Love Story of Rupert Brooke and Phyllis Gardner’ and new book written by Lorna C. Beckett is having it’s official book launch.

Close-up of Rupert Brooke portrait.

Close-up of Rupert Brooke portrait.

In Newcastle, the Biscuit Factory, the UK’s largest contemporary art gallery, is currently exhibiting my portrait of Rupert Brooke, alongside that of Wilfred Owen, to commemorate Brooke’s death.

Rupert Brooke and Wilfred Owen portraits, exhibited at the Biscuit Factory.

Rupert Brooke and Wilfred Owen portraits, exhibited at the Biscuit Factory.