Needlecase community workshop

SF10

Needlecase project and ‘maker’ essential equipment.

Last year I worked on a large project to create the Shipley Art Gallery Centenary Quilt, whilst doing that I worked with a small, lovely group of women who were part of the ‘Syrian Family Group’ who met up regularly in Gateshead. The women made about 10 of the hand stitched patchwork squares for the quilt that is now on display at the Shipley Art Gallery.

SF7

Hand stitching a needlecase.

Recently, the women have asked if I could work on developing some other projects with them, to help them get back into sewing. We decided it would be helpful to make up ‘sewing maker packs’, so that everyone had the essential equipment to get them going back at home. The pack included and pair of scissors, needles, thread and pins. So it was decided to make a needlecase as the first sewing project, to keep the needles and pins safe.

SF4

Sewing flower designs onto the needlecase.

The needlecase was made with felt, so that it was practical, versatile and gave a lovely finish. The cases could also be further embellished with buttons and extra stitching.

We meet this Saturday at the Shipley Art Gallery and had a very busy afternoon. When crafting in groups, I always love the social aspect of it: lots of nattering, laughing and cups of tea!

Here are some of the finished hand stitched felt needlecases made by the group on Saturday.

 

Advertisements

How to: English Paper Pieced Patchwork

Patchwork has a long tradition of using precisely cut, paper pieces to ensure that the complex geometric designs fit neatly into place, ensuring fewer mistakes and more economical use of fabric – which was and can be expensive.

Patchwork 7

Finished, hand stitched Pinwheel design.

Follow these simple instructions below to help you with your own English Paper Pieced patchwork.

Patchwork 1

Stage 1

  • Pin the backing paper to the ‘wrong’ side of every fabric patch.
  • Fold over the seam allowance and pin it so that the paper and fabric are the same size.
Patchwork 2

Stage 2

  • Tack around this edge – contrast cotton works well as it can be easily removed later.

TIP: When sewing the corners, use your nails to ensure you have folded the fabric neatly to the points, then create ‘wings’ in the excess fabric, which will remain on the underside of your patchwork piece – giving you a neat sewing edge on top.

Patchwork 3

Stage 3

  • Place two patches, ‘right’ sides together, line them up carefully so that each corner you are going to sew from matches.
  • Pin along this line.
Patchwork 4

Stage 4

  • Then sew a very small whipstitch/over stitch, sewing this edge together – try not to sew through the backing paper.
Patchwork 5

Stage 5

  • Continue placing new pieces together.
Patchwork 6

Right side of English paper Piecing.

  • Looking at the ‘right’ side of the fabric, you should be able to still see the hand sewn whipstitch you used to sew the two pieces together. This gives it it’s authenticity and adds beauty to the piece.
  • The tacking stitches you can see around the edge (and the paper inside) will eventually be take out, once all of the patchwork/quilt has been pieced together, before the backing fabric is placed on.
Patchwork 7

Finished, hand stitched Pinwheel design.

 

Final Day of Artist Residency at Bergby Konstcenter

The past two weeks, working as Artist in Residence at Bergby Konstcenter, has been very inspiring, productive, thought provoking and down right good fun! As you will have seen through the last 13 posts, the arts centre itself is a beautiful and inspirational place, based in an idyllic part of rural Sweden but also in easy access of Stockholm, Uppsala and other fantastic places to visit.

Visitors to the exhibition were welcomed with cake!

Visitors to the exhibition were welcomed with cake, as part of an afternoon tea party!

The last day of the exhibition was busy with visitors, many taking part and making ‘Green Pledges’ for me to sew into mini pennants when I return to England – written in Swedish and English.

SAMSUNG CSC

Afternoon tea party to celebrate the final day of the residency, organised by Helen and John.

As part of the residency, it had always been planned to parade the larger pennants up into the Bergby woods and hang them with the ‘Green Pennants’ as the closing part of the exhibition. This seemed only fitting, as it is an environmentally charged work about the planet and our job as ‘caretaker’s’ of it.

SAMSUNG CSC

Getting ready to parade the pennants to the woods…

SAMSUNG CSC

On parade.

SAMSUNG CSC

Deeper into the woods…

SAMSUNG CSC

‘Sea Juggernaut’ pennant.

SAMSUNG CSC

Hanging up the ‘Life giving bee’ pennant in the trees.

SAMSUNG CSC

‘Life giving bee’, ‘Haxors Trosor’ and ‘Sea Juggernaut’ pennant hanging in the trees at Bergby woods.

SAMSUNG CSC

Me, about to start hanging up the ‘Green Pledges’.

Once the larger pennants had been hung, we then hung the ‘Green Pledges’ which had been made so far as part of this environmental art project. Most of these pieces had been pledges by people from Newcastle, but there were also a few new ones from Sweden.

SAMSUNG CSC

‘Green Pledges’ hanging in the Bergby woods.

SAMSUNG CSC

More detailed view of some of the ‘Green Pledges’.

SAMSUNG CSC

‘Green Pledges’ blowing in the wind.

Besides fueling and developing new ideas, working as Artist in Residence at Bergby Konstcenter, talking to Helen and John,  and to the visitors to the exhibition, it has made me realise that I don’t want to finish this project but to continue with the ideas and ethos which has evolved from my time in Sweden. I have always fully intended to finish the now 50 plus ‘Green Pledges’ and to exhibit them in other places but I also wish to encourage more people to be part of this project and to either in writing make a pledge and/or make it into a textile piece which can be hung side by side with the others. Within each of these pledges, people – young and old – have raised important environmental issues and thought about how they can help address them in a small way.

SAMSUNG CSC

‘Green Pledges’ flying from a Suffolk bridge following my return to England.

I would like to thank Helen, John and their lovely family, who made us all for so welcome and comfortable in their arts centre and home, and for giving me this fantastic opportunity to be part of their work.

Residency Day 12 – Digital Detox

Coming out to Bergby Konstcenter in Sweden for a two week artist residency, has been an amazing experience and opportunity for me. I have absolutely loved the arts centre, the enthusiasm of Helen and John who run it and it’s beautiful locality.

20160807_104158.jpg

Painting together.

But, it has also provided a creative and interesting experience for my three daughters, aged 13, 11 and 8 – through a ‘digital detox’. This has encouraged intensive bursts of drawing, painting, sewing, reading and 3D art using the natural environment.

20160814_210634.jpg

Tablet free zone !

The girls embraced the idea of a Digital Detox, occasionally there was a bit of a wobble,  but overall they enjoyed it. My middle daughter has also read six books in the two weeks – reading some twice!

The girls have been taking their sketchbooks with them on their days out, too.

20160803_115149

My youngest daughter sketching with her Dad.

The ‘Young Artist’s’ exhibition wall includes the work by the young children who live here, who also really enjoyed drawing and painting.

20160814_115901.jpg

Young artist’s exhibition.

Sharing, learning new artistic skills and learning new words in English and Swedish has been a great bonus – especially when learnt with friends!

20160813_161536.jpg

I can’t say that when my girls are back in the UK they won’t be straight onto their electronic devices, but the two weeks without them has taught the girls that they can not only enjoy themselves without these devices, but  they  have learnt again to entertain themselves, regained their love of reading, and that boredom is a great way to ignite a creative imagination. They have also all said how lovely it is to play freely outside, to be able to run around with no socks on, feel grass rather than concrete and just play.

20160813_124015.jpg

Residency Day 6 – visit to Uppsala.

As part of my residency, I was keen to visit Uppsala where Carl Linnaeus (1707-1778) lived, studied and worked. Linnaeus is famous throughout the world as the person who started using the classifying system in Latin for plants and later animals. Within my work for my residency at Bergby Konstcenter, I have incorporated the Latin names into my textiles, linking it to this part of Sweden.

20160806_124640.jpg

Beautiful flowers found in Linnaeus’s garden.

The flower seen above, I have used since as part of my inspiration for the last sea creature I was to sew on my ‘Sea Juggernaut’ textile – which I shall blog about over the next day or so.

Uppsala is a very beautiful city, with a large cathedral and famous university. Like Stockholm and Norrtalje, we found it was also a city full of art, from public outdoor work to great galleries. In the Domkyrkan, Scandinavia’s largest cathedral, besides being the most beautiful stained glass windows, frescos and tapestries, there is also some beautifully simple pieces of modern art.

20160806_133055-1.jpg

20160806_133216-1.jpg

From the cathedral, we walked on (lots of walking today) to the fantastic Museum of Evolution, which is within the university area. It is very much a traditional museum, which holds a wonderful collection of dinosaur and early human fossils.

20160806_154410.jpg

Bror Hjorths studio.

Our last visit was to Bror Hjorth’s house and studio. Bror Hjorth (1894-1968) was a mondernist painter and sculptor. He is considered to be one of Sweden’s greatest artists.  The museum we all found very exciting and inspiring.

20160806_154343.jpg

Bror Hjorth’s studio.

20160806_154209

Sculpture by Bror Hjorth in his garden.

Residency Day 4 at Bergby Konstcenter

Today I decided to visit Stockholm for the day, I had heard about a number of different places which would be really inspiring to visit. It is very straight forward to get to Stockholm from Bergby, the public transport in Sweden is very efficient (buses to Stockholm from Norrtälje every 10 minutes), clean and the roads are quick and quiet.

20160804_181157.jpg

Public art on the underground platforms.

I had been told about the public art on some of the underground train lines, which we were keen to check out. From beautiful, tasteful tiles to war like caverns painted into the ‘stone’.

20160806_184603.jpg

Snippets from Moderna Museet .

The main place I wanted to visit was the Moderna Museet, a gallery of 20th century art by some of the most prominent artists of that time, including a good collection of Picasso’s, work by Duchamp, Dali, Warhol, Bridget Riley, Man Ray etc. I was also delighted to see work by Judy Chicago and loved the work by Moki Cherry.

20160804_125708.jpg

Rosie looking at the Moki Cherry collection.

Moki Cherry (1943-2009) is an artist who uses story telling in her work, which is often textile. She studied in Stockholm and became notorious in the 1970s art scene, with her husband Don who was a jazz musician. Her work has clear political overtones and she lived with a distinct blur between her life and art.

20160804_151702

Crane decorated as a giraffe!

As I spend more time is this part of Sweden, I find that ‘art’can be found in so many places. Stockholm is a very beautiful city and to enjoy it’s architecture more, we took a river ferry. It was an absolute delight to see this large metal crane decorated to look like a giraffe! Maybe not an official piece of public art, but art all the same.

‘Hook a Portrait’ textile workshop at the Biscuit Factory.

Louise Underwood

‘Hook a Portrait’ Textile Workshop

Saturday 4th July 2015

£40 per person

10am – 4pm, 1 hour lunch

Matriarchal Trefoil

Matriarchal Trefoil

Suitable for beginners, this workshop will teach you how to use the traditional North Eastern technique of ‘Hooky’ matting to create a portrait of your choosing (family member, self-portrait or famous personality – it’s up to you!) Tools, hessian and other materials will be provided. Hooky would have traditionally used old clean clothes from family members and you are welcome to bring fabric which you may wish to ‘hook’ into your design. Using distinctive garments which you associate with a person may add extra meaning to their portrait, although this is not essential).

Aunty Wilma

Aunty Wilma

10 places are available on this workshop, adults only. No experience necessary – come and get creative! Lunch is not provided. You are welcome to bring a packed lunch however, a discount voucher for use in The Factory Kitchen will be available for participants.

Mum

Mum

To book please email Louise Underwood – louise.underwood@blueyonder.co.uk or call 0787 949 5031. Cash payments can be taken at the gallery reception in The Biscuit Factory prior to the event.

Nan

Nan

Before the workshop, please email a suitable close up portrait photograph to Louise, which shall be prepared for the workshop as a template. Just a head and neck image will do! Participants please note: your contact details will be added to The Biscuit Factory mailing list. If you have any objections, please state at time of booking.