The Shipley Art Gallery Centenary Quilt, finished.

In 2016, I was asked to work on a lovely, large community project to help the Shipley Art Gallery celebrate their 100th Anniversary in 2017. The Shipley Art Gallery has a fabulous collection of the decorative arts and a very long, established link with the traditional technique of patchwork and quilting. Within their collection they have hundreds of hand quilted pieces, which have either been wholecloth designs or made using English Paper Piecing.

The project took over 9 months and was ready for the anniversary celebrations in November, 2017. We had over 100 patchworked squares made by members of the community, some local and few were posted from different part of the UK. The pieces which didn’t form part of the finished quilt (not because of quality as the standard of the finished, hand paper pieced squares was fantastic), have been made into pieces which can be used with schools, community groups and general visitors to help explain the process of hand paper piecing.

Quilt 5

Planning the final position of the patchwork squares for the centenary quilt.

Once all the squares were collected in and registered. A small group of people who had worked closely with the quilt over the last nine months, came together to help with the very tricky job of deciding where to place all the finished pieces. At this point, the paper templates were still in the back of the squares. Members of the group took a couple of rows away to join the individual squares together, then two rows together.

Quilt 6

Reverse of the centre panel for embroidering, with it’s paper templates still intact.

During this time, I worked on the centre panel, which was made up of cream and white self patterned ‘Grandmother’s garden’ hexagons, which would become the area to embroider the text upon. This section was then sewn into the middle of three rows of squares.

Quilt 3

Detail of the embroidery onto the central panel. The silk was hand dyed and hand spin by one of the members of the group.

Once all the rows and the central panel of the patchwork were sewn together, it was then placed, pinned and quilted to an organic cotton wadding centre and cotton backing. It took a long time to just pin the three layers together, accurately, as the quilt by this point was 200 cm by 220 cm.

Quilt 2

The finished patchwork ‘top’ being pinned to the organic cotton wadding and cotton backing, in preparation for hand quilting.

I decided to use a new tool, called a basting gun, which I bought from Cottonpatch to ‘pin/tack’ the three layers of the quilt together. A bit like the tools used in clothes shops to attach price labels to clothes, which can delicately keep the layers together but also quick and easy to remove. It made things much quicker and cut out the damage pins could do. It also allowed me to use a large hoop to quilt with, as it was too large for my frames.

Quilt 4

Binding the edge of the quilt.

The quilt needed to be finished a couple of weeks before the centenary celebrations, as it had to go in the large freezer at the Discovery Museum in Newcastle. This is something which the museum and gallery service will regularly do with new items to their collection to ensure that no new contaminates are brought into their collection.

Throughout November 2017, there were lots of different events at the Shipley Art Gallery to celebrate it’s centenary and the quilt was at the centre of this. People from the local community including the women of the Jewish community, women from the local Syrian community, plus local craft groups, the Shipley Quilters and all those who had individually made a square, were invited to a lovely afternoon of celebrations at the Shipley.

Local Syrian ladies community group

Some of the women from the local Syrian community who worked on the quilt.

Quilt in situ 22.11.17

Finished Shipley Art Gallery Centenary Quilt on display.

The Shipley Art Gallery Centenary Quilt, 2017.

The Shipley Art Gallery Centenary Quilt, 2017.

Advertisements

The Shipley Art Gallery Centenary Quilt update

IMG_20170909_174136_250

100 finished hand patchworked squares positioned for sewing together.

Over the last five months I have worked with and meet with people from all over Gateshead, the North East and the UK to encourage people to be part of the Shipley Art Gallery Centenary Quilt. We have now received over 130 squares which have been made using traditional hand sewn,  hand paper piecing technique known as English Paper Piecing.

IMG_20170521_124146_693

Designing and making individual squares.

As part of the programme to make the quilt, there has been a weekly class held at the Shipley Art Gallery in Gateshead. Attending were a mixture of people who had patchworked before and people who hadn’t stitched.  This was a really vibrant and supportive group of people, who within a couple of weeks were advancing very quickly in their skill development and very confident in using the new technique they had learnt to create their own designs. There was also a great opportunity for skills sharing and even the embroidery silk which will be used to stitch the lettering was hand spun during a skills sharing moment by one of our very talented group.

IMG_20170506_145214_576

The Shipley Art Gallery proved to be a great inspiration for our designs.

I have also worked with local craft groups, visitors the the Radio 3 Free Thinking Festival, members of the local Jewish Community and a Syrian Women’s support group. This has been a lovely opportunity to talk to people about how sewing,  making and craft has played an important part in their family, community and culture.

IMG_20170812_221905_490

Just a few of the 130 squares made!

Members of the patchwork class have been helping me over the last couple of weeks to sew the 100 squares together into rows and then the rows together.  This has been a fantastic help, as I am working on the central panel which is white and cream hexagons sewn in the ‘Grandmother’s Garden’design. This will then be embroidered with hand spun silk to create the lettering. Next month, October, I will then start to quilt the piece ready to be hung in the Shipley Art Gallery for the 22nd November, 2017.

 

 

How to: English Paper Pieced Patchwork

Patchwork has a long tradition of using precisely cut, paper pieces to ensure that the complex geometric designs fit neatly into place, ensuring fewer mistakes and more economical use of fabric – which was and can be expensive.

Patchwork 7

Finished, hand stitched Pinwheel design.

Follow these simple instructions below to help you with your own English Paper Pieced patchwork.

Patchwork 1

Stage 1

  • Pin the backing paper to the ‘wrong’ side of every fabric patch.
  • Fold over the seam allowance and pin it so that the paper and fabric are the same size.
Patchwork 2

Stage 2

  • Tack around this edge – contrast cotton works well as it can be easily removed later.

TIP: When sewing the corners, use your nails to ensure you have folded the fabric neatly to the points, then create ‘wings’ in the excess fabric, which will remain on the underside of your patchwork piece – giving you a neat sewing edge on top.

Patchwork 3

Stage 3

  • Place two patches, ‘right’ sides together, line them up carefully so that each corner you are going to sew from matches.
  • Pin along this line.
Patchwork 4

Stage 4

  • Then sew a very small whipstitch/over stitch, sewing this edge together – try not to sew through the backing paper.
Patchwork 5

Stage 5

  • Continue placing new pieces together.
Patchwork 6

Right side of English paper Piecing.

  • Looking at the ‘right’ side of the fabric, you should be able to still see the hand sewn whipstitch you used to sew the two pieces together. This gives it it’s authenticity and adds beauty to the piece.
  • The tacking stitches you can see around the edge (and the paper inside) will eventually be take out, once all of the patchwork/quilt has been pieced together, before the backing fabric is placed on.
Patchwork 7

Finished, hand stitched Pinwheel design.

 

Get involved! The Shipley Centenary Quilt Project

The Shipley Art Gallery in Gateshead, Tyne and Wear will this year be celebrating its 100th Anniversary, after being founded following a bequest by local solicitor Joseph Shipley (1822-1909). The gallery holds a beautiful collection of European Old Masters, to Victorian and more modern paintings. It now is also extremely well know and highly considered for its collection of decorative art including ceramics, textiles, wood, metal and glass by local and national makers. The Shipley Art Gallery has an amazing collection of whole cloth and patchwork quilts, which the North East has a long and strong tradition in making, either for private use or as a way of making money.

As part of the celebrations, I have been asked to work with and encourage creative people to work together to make a new patchwork quilt. As traditionally, patchwork would have been made using English Paper Piecing, this quilt will also follow in the tradition. To make this quilt, we need 100, 20 cm square (plus seam allowance) hand pieced panels.

 

Patchwork 7

One finished 20 cm square patchwork panel for the Shipley Centenary Quilt.

 

If you would like to get involved, the individual patchwork panels need to be returned by the end of August, either to myself or the Shipley Art Gallery. The finished patchwork quilt will be on display for the centenary celebrations towards the end of November. So, this allows a couple of months to piece all of the panels together and to quilt it.

Final Day of Artist Residency at Bergby Konstcenter

The past two weeks, working as Artist in Residence at Bergby Konstcenter, has been very inspiring, productive, thought provoking and down right good fun! As you will have seen through the last 13 posts, the arts centre itself is a beautiful and inspirational place, based in an idyllic part of rural Sweden but also in easy access of Stockholm, Uppsala and other fantastic places to visit.

Visitors to the exhibition were welcomed with cake!

Visitors to the exhibition were welcomed with cake, as part of an afternoon tea party!

The last day of the exhibition was busy with visitors, many taking part and making ‘Green Pledges’ for me to sew into mini pennants when I return to England – written in Swedish and English.

SAMSUNG CSC

Afternoon tea party to celebrate the final day of the residency, organised by Helen and John.

As part of the residency, it had always been planned to parade the larger pennants up into the Bergby woods and hang them with the ‘Green Pennants’ as the closing part of the exhibition. This seemed only fitting, as it is an environmentally charged work about the planet and our job as ‘caretaker’s’ of it.

SAMSUNG CSC

Getting ready to parade the pennants to the woods…

SAMSUNG CSC

On parade.

SAMSUNG CSC

Deeper into the woods…

SAMSUNG CSC

‘Sea Juggernaut’ pennant.

SAMSUNG CSC

Hanging up the ‘Life giving bee’ pennant in the trees.

SAMSUNG CSC

‘Life giving bee’, ‘Haxors Trosor’ and ‘Sea Juggernaut’ pennant hanging in the trees at Bergby woods.

SAMSUNG CSC

Me, about to start hanging up the ‘Green Pledges’.

Once the larger pennants had been hung, we then hung the ‘Green Pledges’ which had been made so far as part of this environmental art project. Most of these pieces had been pledges by people from Newcastle, but there were also a few new ones from Sweden.

SAMSUNG CSC

‘Green Pledges’ hanging in the Bergby woods.

SAMSUNG CSC

More detailed view of some of the ‘Green Pledges’.

SAMSUNG CSC

‘Green Pledges’ blowing in the wind.

Besides fueling and developing new ideas, working as Artist in Residence at Bergby Konstcenter, talking to Helen and John,  and to the visitors to the exhibition, it has made me realise that I don’t want to finish this project but to continue with the ideas and ethos which has evolved from my time in Sweden. I have always fully intended to finish the now 50 plus ‘Green Pledges’ and to exhibit them in other places but I also wish to encourage more people to be part of this project and to either in writing make a pledge and/or make it into a textile piece which can be hung side by side with the others. Within each of these pledges, people – young and old – have raised important environmental issues and thought about how they can help address them in a small way.

SAMSUNG CSC

‘Green Pledges’ flying from a Suffolk bridge following my return to England.

I would like to thank Helen, John and their lovely family, who made us all for so welcome and comfortable in their arts centre and home, and for giving me this fantastic opportunity to be part of their work.

Portrait project with Hadrian Primary School

SAMSUNG CSC

This picture is made by an extremely talented Year 4 pupil.

 

As part of the Drawing? exhibition at the Customs House in South Shields, Illustrated Stitch I was asked to work with a local school looking at the way I work, developing my portraits using drawing and stitching.

SAMSUNG CSC

I worked with 12 children aged between 5 and 11, who had been chosen as they all needed extra help developing their communication skills.

Through the discussion about the artworks in the exhibition, looking at how my portraits also used words and imagery drawn from a persons life, the children were encouraged to think about themselves and how they would like to be represented, what images they would use.

The two pictures above are made by young identical twins, one was interested in nature and bugs, the other robots.

SAMSUNG CSC

We worked together during two, one hour sessions, working with six children at a time, to ensure each child felt they had my absolute attention and I could help them throughout.

The children had photographs of themselves to work from. We worked on natural calico, drawing out the portrait, looking at scale, then discussing which areas the children would like to hand stitch to create extra detail.

On the second week, the children added more colour using pastels and painting parts of the fabric with tea.

SAMSUNG CSC

Once the children had completed their portraits, I finished they off by hand quilting sections of the portrait and creating a ‘frame’ with the stitching.

The portraits have all worked out beautifully, the colours and tones they have chosen, as well as the lovely lines they have used to draw out not only their wonderful portrait but also little key images which tell you a little bit more about themselves, are delightful. Such a fabulously talented group of very young people!

‘All We Are Saying’ Peace Squares blanket update.

Just a quick update, showing you some of the lovely new peace squares we’ve received over the last couple of weeks for the Peace Blanket which will be part of the ‘All We Are Saying’ exhibition at the Holy Biscuit, in Newcastle upon Tyne in September.

To date, we have over 40 squares (many I still haven’t shown you yet!) that have arrived to us from around the World, to be sewn into the blanket but I also know there are many more making their way to us.

There is still time, if you would like to be involved, check out the details at the below all these beautiful Peace Squares.

Maragret's craft group 2 Margaret's craft group 1 Peace 1 -Margaret's emb group Peace 2 Margaret's emb group Peace squares delivered 2 Peace squares delivered Sylvia Sinclair 1 Sylvia Sinclair 2 Victoria leeks Margery Dove 2 Margery Dove Margery Tree

Call out for squares:
We would love people to submit squares to be stitched into our blanket. These can be made in any textile media, including crocheted, knitted, embroidery, beaded, fabric painted, patchwork and quilting. They can be as detailed as you have time for and we are very happy to encourage as many young people and children to be involved in this, too. When designing your piece, please remember that this is an optimistic and positive project and we do not wish to offend anyone with the wording or imagery. The squares should be 20 x 20 cm, with an extra 1cm for seam allowance.

These squares can either be made in the gallery during the exhibition in September or can be posted to:
Blanket for Peace,
The Holy Biscuit,
1 Clarence St,
Shieldfield,
Newcastle upon Tyne.
NE2 1YH

Please send your squares before the end of September to ensure their inclusion in the ‘Blanket for Peace’.

‘All We Are Saying’, Call out for Blanket for Peace textile squares.

As part of a very exciting series of exhibitions to be held in September, ‘All We Are Saying’ is an international “shout out” for peace with a series of exhibitions in Liverpool, Middlesbrough, Gateshead, Newcastle and Sunderland. It is the idea of Sunderland based artist Barrie West, who has co-ordinated and inspired many creative people across the World to become involved in this amazing project.

The ideology for these exhibitions is apolitical, non-religious, non partisan or nationalistic, and (as far as possible) zero budgeted and non profit making. This is not a commercial exercise but a cry from the heart.

Alongside the All We Are Saying exhibition to be held at The Holy Biscuit in Newcastle upon Tyne and leading up to it, we are also encouraging members of the worldwide community to collaborate with us in creating a ‘Blanket of Peace’: evoking the comfort, safety and security of the community by bringing together handmade textile squares to produce a blanket. The squares will visually evoke the meaning and feeling of peace; producing a blanket that becomes a collective symbol of peace. The Blanket for Peace will be on display at The Holy Biscuit when finished.

Blanket for Peace square 'Happy People'

Blanket for Peace square ‘Happy People’

Call out for squares:
We would love people to submit squares to be stitched into our blanket. These can be made in any textile media, including crocheted, knitted, embroidery, beaded, fabric painted, patchwork and quilting. They can be as detailed as you have time for and we are very happy to encourage as many young people and children to be involved in this, too. When designing your piece, please remember that this is an optimistic and positive project and we do not wish to offend anyone with the wording or imagery. The squares should be 20 x 20 cm, with an extra 1cm for seam allowance.

These squares can either be made in the gallery during the exhibition in September or can be posted to:
Blanket for Peace,
The Holy Biscuit,
1 Clarence St,
Shieldfield,
Newcastle upon Tyne.
NE2 1YH

Please send your squares before the end of September to ensure their inclusion in the ‘Blanket for Peace’.

All the squares will be posted on our All We Are Saying at The Holy Biscuit Facebook page, so please let us know, who you are and a little bit about your peace square.

Completed Women’s Group Quilt

Women's Group Quilt

Women’s Group Quilt

Handed in today this quilt I had been putting together after meeting up with a local women’s group. Each member of the group had chosen a combination of hearts, stars and squares, which they sewed together and decorated with sequins. It was part of a days workshop looking at well-being, which I do believe crafts can play a big part in.

I took all these beautiful squares away, placed them, patched them and then quilted. The piece will now hang at one of the group’s meeting places and I know a number of the women felt like continuing with the skills they had learnt at home. I know, that having pieced this together, it has given me the urge to start patch-working again!

Women’s community patchwork

Women's group patchwork 1

Women's group patchwork 2Yesterday, I was involved with a really inspiring and interesting women’s event in Newcastle. Overall, about 54 women worked with me during the day, in between the talks, each making an applique, sequined square.  These I shall patchwork together to make a hanging to celebrate the day. The colours chosen for the patchwork was purple, white and green, the colours for celebrating women’s solidarity.

We all enjoyed sitting together, nattering and sewing, which was extremely relaxing. As I always say – ‘Making is good for the Soul’. Women's group patchwork 3 Women's group patchwork 4