The Shipley Art Gallery Centenary Quilt, finished.

In 2016, I was asked to work on a lovely, large community project to help the Shipley Art Gallery celebrate their 100th Anniversary in 2017. The Shipley Art Gallery has a fabulous collection of the decorative arts and a very long, established link with the traditional technique of patchwork and quilting. Within their collection they have hundreds of hand quilted pieces, which have either been wholecloth designs or made using English Paper Piecing.

The project took over 9 months and was ready for the anniversary celebrations in November, 2017. We had over 100 patchworked squares made by members of the community, some local and few were posted from different part of the UK. The pieces which didn’t form part of the finished quilt (not because of quality as the standard of the finished, hand paper pieced squares was fantastic), have been made into pieces which can be used with schools, community groups and general visitors to help explain the process of hand paper piecing.

Planning the final position of the patchwork squares for the centenary quilt.

Once all the squares were collected in and registered. A small group of people who had worked closely with the quilt over the last nine months, came together to help with the very tricky job of deciding where to place all the finished pieces. At this point, the paper templates were still in the back of the squares. Members of the group took a couple of rows away to join the individual squares together, then two rows together.

Reverse of the centre panel for embroidering, with it’s paper templates still intact.

During this time, I worked on the centre panel, which was made up of cream and white self patterned ‘Grandmother’s garden’ hexagons, which would become the area to embroider the text upon. This section was then sewn into the middle of three rows of squares.

Detail of the embroidery onto the central panel. The silk was hand dyed and hand spin by one of the members of the group.

Once all the rows and the central panel of the patchwork were sewn together, it was then placed, pinned and quilted to an organic cotton wadding centre and cotton backing. It took a long time to just pin the three layers together, accurately, as the quilt by this point was 200 cm by 220 cm.

The finished patchwork ‘top’ being pinned to the organic cotton wadding and cotton backing, in preparation for hand quilting.

I decided to use a new tool, called a basting gun, which I bought from Cottonpatch to ‘pin/tack’ the three layers of the quilt together. A bit like the tools used in clothes shops to attach price labels to clothes, which can delicately keep the layers together but also quick and easy to remove. It made things much quicker and cut out the damage pins could do. It also allowed me to use a large hoop to quilt with, as it was too large for my frames.

Binding the edge of the quilt.

The quilt needed to be finished a couple of weeks before the centenary celebrations, as it had to go in the large freezer at the Discovery Museum in Newcastle. This is something which the museum and gallery service will regularly do with new items to their collection to ensure that no new contaminates are brought into their collection.

Throughout November 2017, there were lots of different events at the Shipley Art Gallery to celebrate it’s centenary and the quilt was at the centre of this. People from the local community including the women of the Jewish community, women from the local Syrian community, plus local craft groups, the Shipley Quilters and all those who had individually made a square, were invited to a lovely afternoon of celebrations at the Shipley.

Some of the women from the local Syrian community who worked on the quilt.

Finished Shipley Art Gallery Centenary Quilt on display.

The Shipley Art Gallery Centenary Quilt, 2017.

Low House Haven

Recently, I was delighted to be asked to create a series of C2C, Cycling and Northumberland inspired lino prints using some very old Bartholomew’s and Ordnance Survey maps for Low House Haven. Low House Haven is a very charming, former Youth Hostel on the ‘C2C’ (Sea to Sea) route which travels from the North East coast to the North West coast through beautiful areas of Northumberland. Originally built to be used as an inn in 1600, Low House Haven has had rather a colourful history!!

Northumberland inspired lino prints on display at Low House Haven.

The maps I have produced to be sold as a souvenir of a lovely relaxing and refreshing stay, reflect the many different outdoor activities visitors enjoy such as cycling, walking, map reading etc, using beautiful vintage maps which illustrate the terrain visitors have travelled.

‘Cycling’ lino print on vintage Ordnance Survey Map.

Working with beautiful old maps, always creates different images every time I print on them – they way the map has been folded, the type of paper or fabric it was printed on and even how detailed the contours of the land it follows are – makes each piece fun and exciting. Over the summer, there will be plenty of visitors to Low House Haven for either the homely hostel accommodation on the camping on the route. It will be lovely to see how they respond to these emotive pieces.