William Morris, ‘The Maker’, finished.
Since Easter, I have been working on a couple more portraits. My portrait of Isaac Rosenberg, the First World War poet has been started but put on hold until hopefully this weekend and whit week, when I might be able to get my teeth back into it. But, my portrait of William Morris has been a wonderful roller coaster ride and now it is finished. I do find I get obsessed by projects and therefore find it difficult to do other things which I am meant to be doing like feeding the children, working on ‘work’ projects, remembering to pick the children up from school…And this has been no exception!
William Morris, the beginning.
I decided to make a portrait of William Morris for many reasons. The first being that I had so much fun with my ‘Green Man’ and his beard, I wanted to create another piece in which I worked in a similar manner. Secondly, because his body of work – poetry, writing, design, arts and crafts, hand-working, philosophy – inspire me constantly.
Acanthus leaves drawn onto the background of the finished sewn portrait.
Unlike my war poet portraits, I wanted to ensure this portrait was full of colour, almost psychedelic but I like to keep the face of the portrait down to very simple expressive lines, which allows the viewer to create their own feelings about the character of the ‘sitter’.
Hand stitched acanthus leaves, painted with acrylic.
I had a lovely time drawing out the acanthus leaves which were then hand stitched and finally painted with acrylic. The hand stitched is slow and methodical, but very meditative in nature.
Originally, I had intended to further embellish the acanthus leaves but I was so pleased with how they looked when I finished painting them, that I decided it would be rather ‘over egging the pudding’ if I did.
Waistcoat and shirt detail.
It was difficult to decide upon colours for his waistcoat and shirt, as obviously photographs of Morris were in black and white and in paintings he tended to be seen wearing dark, dull colours. So, I did some research on Victorian costume of the 1860s to try and get the right tones and colours.
‘News from Nowhere’ quote.
Hand stitched around Morris’s collar is a quote from his ‘News from Nowhere’, a book which encapsulates his idea of utopian socialism.
Portrait stretched on a frame for painting and stitching.
Before choosing the colour of Morris coat, I painted his beard and hair in fabulous tones of orange and brown, only then could I decide upon his coat’s colour.
Hand stitched tweed.
When I had finished painting his coat, I decided to hand over stitch a check, using colours I had already stitched into the acanthus leaves. You can see I also hand stitched oak leaves into his shirt – this is an ‘homage’ to his love of using the oak leaf also in his design and the William Morris designs often used in Liberty print shirts.
Detail of Morris’s hair and beard.
The stitching on the shirt was the last piece of sewing to complete the portrait. The last two weeks, I have been busy getting the picture framed – I have chosen to use the same style frame I used for the ‘Green man’ – and to get my first set of Giclee prints done, which I am very excited about.
Giclee prints of my portraits.
This weekend it’s The Late Shows in Newcastle and once again my studio is open, which encouraged me to promptly organise some prints of my work, as visitors had asked if I had any of my ‘War Poets’. I was absolutely delighted with the results and now just need to pick up the picture mounts and they will also be ready to then go onto my Etsy site, too.